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If these networks whatever their orientation seemed to march musically in lockstep with the Iraq war politics of the Bush administration, one network resisted the pressure to join the bandwagon. NPR’s director for All Things Considered, Bob Boilen, commissioned Freymann Weyr to write “more compassionate music, more thoughtful without being sad, because no matter how you feel about this conflict, I think people feel compassion for the soldiers and the innocents.” As Freymann Weyr echoed, “the challenge was that it needed to be serious but not gloomy, not overly militaristic or or flag waving.” [Audio Ex. 8] With its reflective, uncertain tone, the music certainly differs from that of the other networks, which Freymann Weyr explains in the only interview that details a composer’s approach to writing music for the War in Iraq: “One thing I tried to do with the harmony was to introduce the ambiguity that (I hoped) would keep it from going too far in either direction overly traditionally patriotic or overly morose.

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